
Aha, but don't be frightened by the Myth and Mystery projects, haunting the same spaces!
Remember to say it clearly: Maskoid is the product we're using. "Mastoid" is a part of your skull. ;)

5. All done! The salt should stay on the painting until it falls or shakes off--don't try to wipe off the salt or you may smear the painting:
And we eat brunch (but it went so fast I didn't get a chance to photograph the coffee, the quiches, the croissants, the fruit, the flan...). And there are announcements, and helpful displays related to the project of the day:
Want to buy a t-shirt or apron? The merchandise table is waiting for you:
Now it's time to get down to the art.... The presenter says, hands in the gesso!
And TAAAH-DAAAAH! Happy docents with their finished works, ready to teach the lesson to their students.
7th Annual Chalk Art Festival & Live Music
Saturday, August 22, 2009 | 12:00 - 4:00 pmCome out to Redondo Beach and see how the Redondo Beach Pier’s walkway becomes a veritable canvas on which all can create their own chalk art. The first 150 people to enter receive free chalk. The festival is FREE to the public and open to all ages. Individual and team prizes will be awarded in various categories.
Anna Atkins (1799-1871, pictured at left) was the same generation as Fox Talbot; her father was a scientist and a librarian at the British Museum. When her father published a translation of a French book about shells in 1823, Anna provided over 250 illustrations. In 1839, Anna was recognized for her work when she was elected to the Botanical Society of London. It was around this time that she started making cyanotypes (sunprints) of different species of algae, based on Fox Talbot's method. In 1843, she began publishing British Algae, and followed that with another compilation of cyanotypes, The Ferns (1854). Because each print was unique, these books were published in very small runs, and only a few copies remain today.